has to do with showing the aesthetic
activities of the human being stripped of his own intimacy.

An open and welcoming spatial atmosphere which satisfies and allows the final integration of man and art, of man and community.

True aesthetic creation is conveyed by this new unlimited, swiftly space, and the true transcendence (excellence) of a new and original art: the spatial emptiness.

The nature of this abstraction is defined by this spatial silence, where the individual value increases from multiplicity.

From his first show in Buenos Aires, carried out in 1992, Luh has guided us along a path of artistic research, a shared path that not only bears his name but the names of everyone who has shared with him these experiences
.
This year, at FADU, Wolfgang Luh renews his invitation, placing it at the public domain and space becomes something strange: the astonishing celebration of art within the community; and of social and political issues that today seem to have disappeared in art.

Roberto R. Busnelli, architect.